The artifact that
I looked at in special collections at Richter was a vegan zine created titled Yo! Soy Miami. This zine was written
five years ago in 2008 by a woman and was free.
I glanced at this
zine in particular because the title caught my attention. The title reminded me of Nigman’s Locals, Mobiles, and Exiles. The locals
aren’t represented in a city that was originally theirs, but this zine in
particular made me feel that the locals were given a voice. It said to me, “I
am a local and this is what Miami really is.” It also reminded me of my first
Spanish class here at the University of Miami. We went around the room, stating
where we were from, and when it was my turn I said “Soy de Chicago.” I felt the
say way I imagined this woman feels when she says she is Miami. This personal
connection is what Barthes discusses when he evaluates photographs in Camera Lucida.
I thought the zine
was interesting. It had so many different elements, many of which you would
find in a magazine that would be on sale at CVS or Walgreens. The beginning
read like a letter from the editor, where she explained why it took so long for
the next issue to come out. She also included many recipes and restaurants in
Miami and South Florida in general to get vegan food.
The organization
of this zine was collected on small, folded, and unstapled computer paper. It
followed a certain order, however she didn’t censor it for the public. I liked
the fact that everything she wrote told a story about her and being a vegan.
Her voice flowed off the pages, not being limited to a particular audience.
This aspect made the zine an enjoyable read for anyone, including those like me
who aren’t vegan.
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